Episode Transcript
[00:00:21] Speaker A: Welcome back to everybody loves everybody loves Raymond. I am hanging out here in town hall of limbrook, New York, as I am your one and only mayor. My name is Alex where's our passports shear. And it is my job to make sure all the beautiful Raymond comes to all of you excellent listeners here in our lovely town. I am joined with two lovely people, as always, who are going to tell us about what they're doing this week. Say hello to Adam. Who are you to turn down my meat? Rudy?
[00:00:55] Speaker B: Hello, everybody.
Thank you, Alex, for that warm introduction. No pun intended on the cooking, however.
That's a nice segue to my big project this week. I am the newly installed head of the school lunch department, and now a lot of towns and cities will have that as part of the school governance structure. Not us. We do a state controlled school lunch program where it goes straight from our kitchen here in town hall to the cardboard sorry, styrofoam. Sorry. Actual, like oil covered ducks from the dawn commercials.
I mean, we're cutting corners, but we're saving money.
[00:01:44] Speaker A: Those lucky kids.
[00:01:45] Speaker B: Those things that the kids hold and eat off of. So I'm excited for know we're doing some great veal cutlets. This week is going to be our big item. And let's just say veal is in quotes. Mike, how you doing?
[00:02:00] Speaker C: Hey, everybody. I'm Mike G. I'm very excited to get started. Adam and I are both in the business this week of making sure the youth of Limbrook are doing good. Adam is making sure they are filled nice and well. And mine you want to try that again, Mike?
[00:02:18] Speaker B: He's not wrong. And that is what it says in Latin on our vans.
[00:02:24] Speaker C: I'm sorry, does it not translate well?
[00:02:25] Speaker B: It doesn't translate one to it's not.
[00:02:32] Speaker C: We're making sure the children of Limbrook are nice and fed. How about that? Is that better?
[00:02:36] Speaker B: I do like the word fed better than say, what are you doing?
[00:02:42] Speaker C: This the I am the newly appointed limbrook sitter on babies. I am the babysitter of the week. And so I'm very much looking forward.
[00:02:53] Speaker B: Babysitter of the week. Nice. Congratulations.
[00:02:56] Speaker A: Yeah. Apparently put that on your resume.
[00:02:58] Speaker C: No, this isn't like an awarded position of honoring a babysitter. I think the last person just only lasted a week. And so they're putting me in the next dead I'm the next man up kind of thing. So I'm excited. I think I can last more than one week in this case. So, yeah, we'll do good.
[00:03:16] Speaker A: We'll see for episode four next week. If we keep this up, you guys are going to have, like 30 page resumes, by the way. Speaking of that, this week is all about episode three of season three, the sitter. When Deborah's feeling overworked from trying to manage the kids all day every day, she hires Lisa, the babysitter, to help out with the kids. But once lisa's presence exposes insecurities of both Marie and Deborah. She is quickly exiled. I think this was a fun episode, and I can't wait to talk about it in depth with you guys or complete strangers, depending on how the day goes.
[00:03:52] Speaker C: Yeah, well, this is the beneficial part of things. This is such a democratic thing. Everybody got to see it. I'm very excited for all of this. I really am. I also thought it was a very fun episode.
[00:04:02] Speaker B: We are showing the episodes now because it just so happens that we play these at around 12:00 for the town. Everyone gets to come and watch it. It's in all the shop windows, like Jackie Robinson style in the 50s. That might be one movie I've said that before to you guys separately. That might be one movie that I saw where people were standing outside of a shop window watching Jackie Robinson.
[00:04:27] Speaker A: Now. That's the only thing.
[00:04:30] Speaker B: People are watching them in shop the like in Big Daddy, where he's in the ESPN Zone and they've got TVs at the urinals. We've got that. We've got them in the urinals and the stalls, which was difficult. But my point is we've put them in the school cafeterias. Big, big screen kids are watching unabridged the whole episode. This one might have been not good one to do that for, but they got to learn about Havanagila sometime.
[00:05:03] Speaker C: Yeah. What was that reference to? Actually, I didn't pick up on that.
[00:05:06] Speaker B: And I didn't look. I really thought it was a stretch of how he got to from or to sex. From hava nagila.
[00:05:16] Speaker C: Is it a reference to, like, an old time movie?
[00:05:19] Speaker B: It's the song from Jewish weddings. Hava nagila. Hava.
[00:05:27] Speaker A: You didn't get that?
[00:05:29] Speaker C: I didn't pick up on that reference.
Weddings mean sex, but at the same time, Ray isn't Jewish.
[00:05:36] Speaker B: No, you're right. It is cultural appropriation.
[00:05:41] Speaker C: Yeah, a little bit, but that's okay.
[00:05:43] Speaker A: Speaking of cultural appropriation, I heard a knock at the door.
[00:05:48] Speaker B: I'm so sorry. Excuse me. Mike, there's a woman here who says that you're supposed to be watching her kids today. She seems very flustered and is dripping with salsa. So I don't know what I should do. You want me to turn her away? I can turn her away. It's totally fine.
[00:06:08] Speaker C: No, Susan, I appreciate it, but I don't think that's needed. I think you know what? I'm the babysitter of the week. Let me go put out this fire. Let me see what I can do. All right, so, well, you guys keep recording. I don't think this will take more than, like, ten minutes. I'll be right back. Hey, Ma'am. How are you doing? Hello. It's nice to meet you. Hi. You are covered in salsa.
[00:06:33] Speaker A: Yes, I am very wet.
[00:06:35] Speaker C: Yeah. Susan was not lying. Oh, my God, this is a mess. Okay, well, most of this is salsa.
It's not salsa. What is it? No, most of it is salsa.
The rest of it is.
One of my kids found the knife.
Oh, my God.
Do we need to bring you to the hospital? Is that what you're telling me?
[00:07:04] Speaker A: Please, you must go watch my kids.
[00:07:07] Speaker C: Do they still have the knife? I don't know. I don't know where they are.
[00:07:13] Speaker B: Why don't you come over here and find out, Mr. G?
[00:07:17] Speaker C: Holy shit. Where'd you come from? Okay. Hi.
[00:07:20] Speaker A: You see the lady run away?
[00:07:22] Speaker B: My name's Bookshelf and this is my brother, Book.
[00:07:28] Speaker A: Eh.
[00:07:29] Speaker B: And that's our other brother, Magazine.
They don't say much. I do most of the talking, but they know how to handle a knife. Listen, you're like, what, eight and a half?
[00:07:44] Speaker C: Eight and a half. Okay, sorry.
It is actually state law that you're not actually allowed to be in possession of a knife until you're nine. So I do need to actually take that.
[00:07:54] Speaker A: You see Alex poke his head out the door. Oh, I changed that law this morning.
[00:07:58] Speaker C: Not helping.
[00:07:59] Speaker A: Yeah, now you just have to be six.
[00:08:00] Speaker B: Oh, hell yeah. Hell, hell. Fuck. Shit, yeah.
[00:08:05] Speaker A: Also, Mike, get them out of here. You know how I feel about kids in public. Have fun. I closed the door.
[00:08:13] Speaker C: All right, let's see.
Bookshelf, book magazine. Let's go. Learn to use knives productively. Let's go to kitchen land. Let's go.
[00:08:30] Speaker B: We cut down to the kitchen in town hall where they're preparing the veal cutlet.
[00:08:35] Speaker A: Kitchen. Oh, hello. Are you guys here to see the cutlets?
[00:08:39] Speaker B: We're here to do some cutting, that's for sure.
[00:08:42] Speaker C: Excellent.
[00:08:43] Speaker A: Here's some veal.
[00:08:44] Speaker C: You're very violent, and it's a little bit scary to me, to be honest with you, that you're this bad already.
[00:08:50] Speaker B: But that's an incredibly hurtful thing to say. I'm just being myself and expressing myself in the only way I know how, which is with cuts.
[00:08:58] Speaker A: Mike, I didn't know we were hiring this young. What happened?
[00:09:02] Speaker C: Well, you see, Steve, it seems like one of these three, I'm actually not sure who, I don't know if it's the ringleader or his two twin younger brothers, but one of these three people stabbed his mother repeatedly while the other two doused her in salsa.
[00:09:18] Speaker A: But now he wants to cut.
[00:09:21] Speaker B: Can I just I didn't stab my mother. I just put knives upright on the floor.
[00:09:26] Speaker A: Hang on. Sonny, come here.
[00:09:27] Speaker B: What? Sir?
[00:09:28] Speaker A: Sonny, look.
You see, Steve takes the knife.
This is a butter knife. If you're going to cut veal, you need a butcher's knife. Here you go.
[00:09:37] Speaker B: Oh, nice. My first cleaver. This is great. Thanks for taking me to kitchen land.
[00:09:42] Speaker C: Mr. G. Yeah, no problem at all.
Great. Okay, so you guys get cooking.
Bookshelf and Magazine, I think, are riding the roller coaster that this is actually, just to be clear, just to set the scene, there is a roller coaster that goes through the kitchen. That's why it's kitchen land. I wasn't like lying or anything. It's just it's half a kitchen, half an amusement park.
[00:10:07] Speaker B: Yeah, there's a tunnel that goes through the kitchen, and every like, 30 seconds or so for the past several minutes, carts of people have been zooming by.
[00:10:20] Speaker C: Yeah, they're all screaming. So you can hear that, too, as they go.
[00:10:24] Speaker B: I can't hear screams anymore.
I'm too used to it.
[00:10:30] Speaker A: I like this kid.
[00:10:32] Speaker B: I've seen things.
[00:10:33] Speaker C: Steve, Steve, you're one fucked up kid. Where are these meals going, by the way?
[00:10:38] Speaker A: I'm 34.
[00:10:39] Speaker C: Fucked up. Still fucked up.
[00:10:42] Speaker A: That's fine.
[00:10:43] Speaker C: Where are these meals going?
[00:10:44] Speaker A: Well, I mean, Mr. Rudy says he wants them to go to the schools, so I'm just going to take them over to the schools once they're all cut.
[00:10:52] Speaker C: Okay. All right. You know what? I'll help out too. You see, Mike G puts up a cleaver and starts going at it. I hope the other boys are doing all right. And we see the other boys heading walking into the school cafeteria.
[00:11:05] Speaker B: You got the got? If it's in this sack, I've got it.
[00:11:10] Speaker A: That's a very small sack. Are you sure that's all of it?
[00:11:13] Speaker B: I mean, realistically, they don't need that many calories, and we are saving a ton.
[00:11:20] Speaker A: Sure, but just like our first this is like, my first big time in the school as mayor. I want to really blow don't worry their socks.
[00:11:29] Speaker B: We've set up all of the pyro that we talked about.
So you're going to come out arch of Flames are going to pop the balloon arch that we've already got set up in there, and you're going to come out to we couldn't get the rights to I want to rock and roll all night and party every day. We were able to get the rights to I want to rock and roll for a couple of minutes and then party if I can, which is a sound alike that did oh, thank God.
[00:12:00] Speaker C: You guys are hi. Hi. Hello. I'm Mr. Principal. I'm a teacher here at Limbrook High School.
[00:12:09] Speaker A: Mr. Principal, do you remember me? I had you. I was a student.
[00:12:14] Speaker C: Okay, I'm going to be honest with you. I've met thousands of children, and you don't seem memorable enough to I'm the.
[00:12:22] Speaker A: Literal assumed oh, yeah, abe, right? Yep, abe.
[00:12:31] Speaker C: Okay, great. I voted for the other guy, but that's all right. Come on in. Remember all of those pyrotechnics that you guys asked for? Couldn't do it. That's fire hazard. We got Mr. Fireman, who's the actual school principal. He said that you couldn't do it. He's a bit of a stickler with those things, but yeah.
[00:12:50] Speaker A: Is Mr. Lunch lady still coaching?
[00:12:55] Speaker C: Actually, no. Mr. Lunch lady got promoted. He actually is the superintendent. Good for him.
[00:13:01] Speaker A: Wow.
[00:13:02] Speaker C: Yeah.
[00:13:02] Speaker B: Good for is Mrs. Superintendent still in the nurse's office? Because I think I got a little paper cut. I think I need a bandage.
[00:13:11] Speaker A: Yeah, she's super.
[00:13:14] Speaker C: Oh, Adam. Adam, we remember you. You were a great kid. Oh, my gosh, it's so good to see you again.
[00:13:20] Speaker B: Oh, that means a mean.
[00:13:22] Speaker A: He didn't go to this school.
[00:13:23] Speaker B: I know I didn't go here, but.
[00:13:28] Speaker C: How can we forget the head of the school lunch program at Limbrook? That's ridiculous. How can we not know him?
[00:13:34] Speaker B: Well, I hoped against hope when I started live streaming my entire life, Truman Show style, from ages 15 to 17, that somebody would be watching. Well, it's just nice to finally meet.
[00:13:50] Speaker C: Someone who well, no, the entire school actually watched. It was the bit of the biology homework.
[00:13:59] Speaker B: It was a bit of the biology homework, you say?
[00:14:02] Speaker C: Yeah, but we saw you go to the bathroom.
[00:14:06] Speaker B: We cut to that classroom. What's he doing?
[00:14:10] Speaker A: He's peeing.
[00:14:11] Speaker B: What?
[00:14:12] Speaker A: He's not paying.
[00:14:14] Speaker B: Seriously?
[00:14:15] Speaker A: Is that how you pee?
[00:14:17] Speaker B: Mr. Principal, this is inappropriate. We shouldn't be seeing this.
[00:14:22] Speaker C: Hey, shut up for a second.
He's hitting the target that they put in toilet.
[00:14:28] Speaker B: Put your Hustler magazine away and teach us about xylems or flowums or the mitochondria nerd.
[00:14:40] Speaker C: Throw popcorn at him.
[00:14:42] Speaker B: God, one of these days you guys are going to wish you never bullied little Tony Fauci.
[00:14:52] Speaker A: How old is this teacher?
[00:14:55] Speaker B: How old am I?
[00:14:57] Speaker C: How old are you? Yeah.
Anyway, cut back. Yeah. Tony Fauci left and put a curse on the school. Actually, 2020 was a rough year for us.
[00:15:09] Speaker B: That's why all the crazy accidents started happening. That's why when you put up the world's tallest salsa display, it fell everywhere and 16 people had to go to the hospital. Right?
[00:15:20] Speaker C: Yeah, that sounds about right. Yeah.
[00:15:22] Speaker A: I'm going to have to do something about all the salsa accidents in this town.
[00:15:26] Speaker C: Well, what do you want us to do?
The town of Limbrook's education department is sponsored by Tostitos. It was a requirement that they have to have a Tostitos display in every single room. And that's just you signed the bill, sir.
[00:15:41] Speaker A: I was at the budget meeting. I understand we needed the cash.
[00:15:44] Speaker C: Yeah, I get it.
[00:15:45] Speaker A: Get the Pyrotechnics that isn't even here.
[00:15:48] Speaker B: Can I ask where my equipment is? Because I own that stuff. I bought it all up front. Not a rental.
[00:15:57] Speaker C: We had to sell it to Tostitos.
[00:15:59] Speaker B: What?
[00:15:59] Speaker C: Salsa.
[00:16:00] Speaker A: We knocked over a salsa counterintuitive.
[00:16:04] Speaker C: We knocked over a salsa display. We had to get more salsa. Anyway, the kids are hungry. Do you have the veal?
[00:16:11] Speaker B: I do. I see on the menu that it says today's lunch is veal and salsa. So yeah, here's the veal.
[00:16:19] Speaker C: Great. Come on in. They're just finishing up their gym lesson.
Well, they saw the game on the Everybody Loves Raymond episode, the Alien game, and so they all just started playing that.
[00:16:31] Speaker A: How do you play that game anyway?
[00:16:33] Speaker C: I don't know. You just run around the couch going, pew pew.
[00:16:35] Speaker B: Yeah. The object of the game to me seemed to be to kill your grandmother. So if that's like a big thing in like that's know, that's like some.
[00:16:47] Speaker A: Star Wars hang on, alex pulls out a walkie. Reggie, just have the ambulance on standby just in case you got bush.
[00:16:56] Speaker B: We cut out to the ambulance. Hey, how's your TMJ, Reggie?
[00:17:02] Speaker A: Too much jelly, am I right?
[00:17:04] Speaker C: Yeah, I love jelly.
[00:17:06] Speaker B: You have that T shirt that says you bought it on Facebook. You've got that T shirt that says, I'm 55, I love my niece. And I have TMJ, and it's a picture of you holding up a jar of Smuckers.
[00:17:22] Speaker C: There's a lot of text, and you.
[00:17:24] Speaker B: Wear that instead of your EMT uniform.
[00:17:28] Speaker C: Which, I mean, yeah, I love just the company. It was paid by Letta, and so I had to fill up the whole T shirt to get my niece, Jen, what she wanted to get on the shirt. So I spent so much money, I had to sell my EMT clothes to.
[00:17:44] Speaker B: Get the bought you you wanted to get this shirt for your niece?
[00:17:51] Speaker C: Yeah.
[00:17:52] Speaker B: The way you just told that story so this was not a gift from her to you?
Is this a regift? And said to me, hey, what did she give this? No. Did you give this to her last year for Christmas? And she just gave it to you back this year as a regift?
[00:18:15] Speaker C: She does that every year. We've been just kind of bouncing this shit back and forth. And I get it. It says, I'm 55, she's seven. But still, I don't know. I thought the Smuckers would do something and she just didn't like the Smuckers.
[00:18:33] Speaker A: Hey, do you guys know where the keys to the ambulance is? And we cut back.
[00:18:38] Speaker B: Were you at least able to hook up my sound system so we can play I want to Rock and roll for a few minutes and party. If I have.
[00:18:47] Speaker C: Was I got the sound system going. But that song sucks. What?
[00:18:51] Speaker A: Yeah, it does, Adam. It really does.
[00:18:53] Speaker B: I mean, it's short, I'll grant you that, but it's a room full of.
[00:18:57] Speaker C: Screaming kids that want veal. Can we feed them now?
[00:19:00] Speaker A: They got, like, classes to go to. Adam.
[00:19:02] Speaker B: Yeah, it doesn't have to go back into the lunchroom kitchen to be heated up. It's good to go now. We're going to give them cold veal and six gallons of salsa each.
That's the plan.
[00:19:16] Speaker C: Thing is, it's counterintuitive, but the salsa itself, just, like, as it's heated up, gets more rancid. It doesn't taste good. It's not good product. So you got to serve it all cold.
[00:19:27] Speaker B: Okay, get those oil soaked ducks ready. We'll just ladle this stuff onto them. Yeah, let's set up on the line here.
Okay.
[00:19:38] Speaker C: All right, I'll get them all ready. You see, Mr. Principal opens the door to a sea of children all screaming at the top of their lungs, diving behind tables, just screaming, we want veal. And while the other half say, pew, pew, pew, with the laser guns from the childhood.
[00:19:58] Speaker B: So is the principal going to get over the loudspeaker and tell. How do you get them to line up and come through?
[00:20:07] Speaker A: Let's just throw it. Let's just frisbee it.
[00:20:10] Speaker B: Is that the way you usually do it?
[00:20:11] Speaker A: Gentlemen, here, give me a veal.
[00:20:13] Speaker C: Food has arrived. Every man for himself.
[00:20:19] Speaker A: Alex's throw is like a bunch of veal.
[00:20:22] Speaker C: I'm frisbee a World War Z. Wave of children come down for the veal.
[00:20:29] Speaker B: Yeah. They climb on top of each other to intercept the veal in mid air.
[00:20:34] Speaker A: Wow. Adam, we can handle all these kids at once. I know you wonder why we weren't the babysitters of the week.
[00:20:41] Speaker C: Cut back.
[00:20:42] Speaker A: Kill the man.
[00:20:43] Speaker C: Okay, guys. All right, so listen. Okay. Magazine, I need you to the knife only goes in the veal. It does not go in your brother, okay?
[00:20:51] Speaker A: Kill the non believers.
[00:20:53] Speaker C: Book is a believer, okay?
He's a good boy.
He just wanted the front seat. I need you to take the knife and put it down, okay?
[00:21:06] Speaker A: I am a bad boy. Do it.
[00:21:08] Speaker C: All right. You're a bad boy. Your punishment is to cut up the veal. You don't get to stab your brother unless you're a good boy. Okay?
[00:21:15] Speaker A: The knife craves sustenance.
[00:21:19] Speaker C: Jesus Christ. All right. I don't know what to do with this is a little bit over my head. Bookshelf. Yes, and we see. Bookshelf is wearing the sous chef hat at this point. He's got the necktie on, and it.
[00:21:35] Speaker B: Was clearly worn by someone else previously, and nobody has seen that person for quite some time.
[00:21:41] Speaker A: A lot of salsa on that uniform.
[00:21:44] Speaker C: Yeah. So, listen, could you just get your brothers to stop stabbing each other and just get back to work, please?
[00:21:50] Speaker B: Hold on. I'm listening to Helter Skelter. I'm trying to hear the message. Uncle Charlie says there's a message in.
[00:21:57] Speaker C: Here that's only if you play it backwards.
[00:21:59] Speaker B: Oh, how do you do that? On.
[00:22:03] Speaker C: I'm not at liberty.
[00:22:04] Speaker A: Hit rewind.
[00:22:05] Speaker B: That didn't work. Good suggestion, though. Maybe if I do it a bunch of times.
[00:22:10] Speaker C: All right, listen. Okay, guys, family meeting.
Someone pick up Book and everybody. We're going to get off the roller coaster, okay? Everybody sit here. Listen, okay?
I thought I would be able to get the energy away from you guys and put it onto something productive, but it clearly isn't working here.
I'm no Lisa. I need Lisa. You guys all saw the episode that we showed earlier today, right?
[00:22:42] Speaker B: We want Lisa.
[00:22:44] Speaker C: Can you tell me what it was about Lisa that was so good, that made her so effective as a babysitter?
[00:22:52] Speaker B: What I liked about Lisa was her sense of don't you really look, no offense, sir, you don't really have that sense of we're running around, we're playing Stab, and you're not know, running around with us. You're running away from us.
[00:23:11] Speaker C: I feel the need to mention that playing Stab isn't a game. It's a felony. Lisa would have played Stab, but continue. You're bringing up some good points.
[00:23:20] Speaker B: Lisa would have found some fun way to do know. Told us that the carrots were knives and that we should eat them because eating knives is fun.
[00:23:30] Speaker C: Yeah, I hear hear you. I hear you.
Genuine question. Do you really think that Lisa was a good babysitter? I mean, she was clearly effective at getting them to clean up and stuff, but at what point does she go too far as a babysitter?
At one point, she had them all on her lap and climbing all over. It just felt very familiar to me. For a first time babysitter.
[00:23:59] Speaker A: I didn't get that vibe.
[00:24:03] Speaker B: Okay.
[00:24:06] Speaker A: I thought that it was very good at getting the kids to feel comfortable around her. In fact, it's a very difficult thing to do for a new face to come in and suddenly have all these three kids feel like they can trust her enough.
[00:24:20] Speaker B: She's clearly a pro.
[00:24:22] Speaker A: They are young enough that it is not stentily, strange or weird. They trust Lisa, and they also enjoy her company. It's a difficult balance to strike as a babysitter. Please, Book, stand still so I can stab thee.
[00:24:42] Speaker C: Okay. Magazine. All right, that's it. I'm confiscating the knife, first of all. But that was some very good insight. Actually.
[00:24:47] Speaker B: What I liked about Lisa?
[00:24:49] Speaker C: Yes. You tell me now, Bookshelf. You tell me.
[00:24:52] Speaker B: She kind of went, look, you got to give it up for her. She was clearly a pro at being a babysitter. She not only took care of the kids and physically watched them, played with them, she also appears to have cleaned the house. She got them to eat.
She is doing it at a level that you don't, and B is, like, more than you would expect any given babysitter off the street to do. Right. So, I mean, she seems like a good babysitter. We only saw a couple instances of her.
Look, I can only heavily suggest it so much.
I would love to have Lisa as a babysitter.
[00:25:39] Speaker C: I know. Okay, you know what?
[00:25:41] Speaker B: Do you get what I'm saying and how it reflects on you?
[00:25:45] Speaker C: Yes, but I feel very uncomfortable playing. Okay, you know what? Fine. We'll do some story time. Okay, everybody sit.
[00:25:54] Speaker B: OOH, I have a story.
It's about the actress who played Lisa.
Oh, yeah, her name.
[00:26:03] Speaker C: Tell me more about the actress that played Lisa Little. Bookshelf.
[00:26:06] Speaker B: Her name is Santa Moses, and she's been in show business since she was six months old. She started off her career.
I'm just reading her bio. Do you want me to do more extemporaneous? She was known for Home Alone. She played Tracy in Home Alone, I assume is one of the other kids. I don't remember Home Alone all that well.
[00:26:26] Speaker A: One of the children who was not Home Alone.
[00:26:28] Speaker C: You're eight.
[00:26:29] Speaker B: Yeah, I was getting tips on how to physically assault adults with Goldberg machines.
[00:26:37] Speaker C: Okay. Yeah, that checks out.
[00:26:39] Speaker B: Didn't you didn't see the influence when you stepped on that rake earlier and it let a bunch of crows loose and they started pecking your eyes out and then you stumbled into that kitty pool full of boiling water.
[00:26:55] Speaker C: Now that you mention it, I'm starting to see the resemblance.
[00:26:58] Speaker B: And didn't you notice how the marble, like, you splashing around, knocked the marble down and the marble hit the alarm clock? The alarm clock went off, woke up the snake snake crawled back into the pool and started constricting you.
I mean, the influence is obvious. It's very tell me more.
She was also on three episodes of My So Called Life and most recently was in Little Fires everywhere. Did you see that? That's like I did not see that.
[00:27:29] Speaker C: Was that a good movie?
[00:27:30] Speaker B: It's a series, actually. Eight episodes. It started. Reese witherspoon I'd rather see Reese with a knife.
[00:27:43] Speaker C: You know what? Good joke magazine. Give me a fistbone.
[00:27:46] Speaker B: Anyway, she's just a working actress these days, and I thought she did a great job in this episode. She really didn't have a ton to work with, but in the scene where Ray was trying to get her to leave the physicality that he was doing, she really played along with that very well. I thought she did. That's my story.
[00:28:08] Speaker C: Very impressed with her. Thank you. That was a great story.
[00:28:11] Speaker B: What story were you going to tell?
[00:28:13] Speaker C: I was going to tell the story of the three little pigs.
You know that one?
[00:28:19] Speaker A: I have heard it.
[00:28:20] Speaker B: Do they get butchered?
[00:28:24] Speaker C: No. They get huffed and puffed and blown down.
[00:28:27] Speaker B: And does that knock them into a bunch of dominoes that go around and knock over, like, fall, wake up a cat or something and then the cat swipes at like a cuckoo clock? No.
[00:28:41] Speaker A: Enough with your Goldberg machines. The best way to end a life is intimate, simple.
[00:28:48] Speaker C: Okay. If we dull the knife, I'm okay.
[00:28:51] Speaker B: With has anyone ever told you magazine? Look, has anyone ever told you you sound like Kelsey Grammar?
[00:28:58] Speaker A: Actually, yes.
[00:29:00] Speaker C: It's very impressive for a six year old, I got to say. But you know what I'm going to give you guys I don't know what to do with you because I feel like if I leave you alone at all, you guys are going to go back to playing Stab and I go to the park.
[00:29:17] Speaker B: Yeah, let's go to the park. Or the cemetery.
[00:29:22] Speaker A: No, we go to the park and make that a cemetery.
[00:29:27] Speaker B: That's why we work well together.
[00:29:29] Speaker C: I'm going to say we go to the park and then figure out what to do next. Sound good?
Let's go to the park. Also, while we're going there, we'll deliver some of the veal that you guys chopped up with Steve. Where's Steve, by the way?
[00:29:43] Speaker B: Where or is he not wearing his uniform anymore and is dead?
[00:29:47] Speaker C: I guess I would like to know both of those. I'm not dead. I'm over here. I just took my break. Oh, thanks, Steve.
That's great. Then where'd you get this uniform? Then.
[00:30:00] Speaker B: We cut outside to a waiting room that's outside of the kitchen. And there's a sign up that says, Chef Auditions. It's a bunch of commercial actors who brought their own chef costumes, and one of them is asleep, not dead and naked. Hey, Jonas, wake up.
[00:30:25] Speaker C: What do you want?
[00:30:27] Speaker B: They said you're next, man.
[00:30:30] Speaker A: All right.
Did you bring I like that. Jonas is going for the Pillsbury Doughboy look.
[00:30:36] Speaker C: Yeah, I love your little nothing tripping down. Fuck you. All right.
[00:30:41] Speaker B: I think he realizes.
[00:30:42] Speaker C: Let's go. Let's go.
[00:30:44] Speaker B: Okay. Hey, come on in, come on in. This is the director. This is Woody Allen. And thank you so much for coming in.
[00:30:57] Speaker C: Yeah, no problem.
[00:30:59] Speaker B: So, I'm going to read with you, and this is going to be the scene where the chef tells the 17 year old that he's been dating that he wants to break it off, and she convinces him that it's fine.
[00:31:17] Speaker C: I'm going to be honest with you, Mr. Allen. I thought this was very real.
[00:31:22] Speaker B: Don't speak directly to sorry.
[00:31:25] Speaker C: Sorry. Okay. All right, baby, we can't be together. I need to cook a chicken part.
[00:31:32] Speaker B: But, Dante, I just love how mature, and you're just not like any of the boys. I go, oh, did you mean to cross out Middle and write high? Okay. Yeah. High school with yeah, that's great.
[00:31:49] Speaker C: Have you seen my breadcrumbs?
[00:31:51] Speaker A: I'm going to stop you right there. I'm going to stop you right there.
Could you do that line again, but more naked?
[00:32:02] Speaker C: Who are you talking to?
Just to be clear, the only thing I have on right now is my tidy whiteies. This is the choice I didn't intend, but I'm rolling with all I got.
[00:32:14] Speaker A: Is my state of mind.
Be naked.
[00:32:17] Speaker B: I think he means be more like emotionally naked.
[00:32:20] Speaker C: Okay, so you want the underwear on?
[00:32:22] Speaker A: I didn't say that. And we cut back.
[00:32:25] Speaker C: We cut to Jonas walking out, just being like just full frontal. We just see the back shot of him walk out, just goes, I got it.
[00:32:38] Speaker B: We cut to the park. Actually, you know, let's go back to that. We cut to the school.
[00:32:43] Speaker A: Well, Adam, I think that went very mean.
[00:32:45] Speaker B: Yeah. I am shocked. They ate that veal all the way through, and they didn't even seem to mind that it's not I mean, it's vel. So that's, hey, good for us. Means we can keep using.
[00:32:59] Speaker C: Hey, guys, it's me, Mr. Principal, again.
Kids loved you. They love the veal. They love the salsa.
Congrats. Yes.
[00:33:11] Speaker B: All right, thanks.
[00:33:12] Speaker C: Now I got to go to class.
[00:33:18] Speaker B: What do you teach?
[00:33:22] Speaker A: It's elementary school.
[00:33:23] Speaker C: Yeah, I teach social studies.
[00:33:26] Speaker A: Just social studies?
[00:33:28] Speaker C: I'm a specialist.
[00:33:30] Speaker B: Do you mind if we sit in? Is that weird? Can we audit the class?
[00:33:37] Speaker A: We could be guest speakers because we have some very impactful social studies to talk about.
[00:33:43] Speaker C: Yeah.
Listen, here's. The thing, guys.
[00:33:48] Speaker A: Thanks. You don't have to be there. I'm just going to take your keys.
[00:33:51] Speaker B: Let's go.
[00:33:52] Speaker C: I need those, actually.
[00:33:53] Speaker A: Hey, all right.
[00:33:57] Speaker B: Wait, Alex.
Let me set up my last little bit of Pyro. Alex, here we go. Are you guys ready to meet the no?
[00:34:08] Speaker A: Here we come.
[00:34:28] Speaker C: He's fortnite dancing so hard, you think he's going to get whiplash. You see another kid just straight up swinging from the chandelier. Another kid is running in circles because he got hit with a Pyrotechnics. His hair is on fire right now.
[00:34:42] Speaker A: Honestly, I'm just impressed that this classroom has a Chandelier no.
[00:34:45] Speaker B: It's gorgeous.
[00:34:47] Speaker A: It's beautiful.
[00:34:48] Speaker B: It looks like Versailles in here. I see why he didn't want us to come in. This is clearly expensive.
[00:34:54] Speaker A: This is where the budget went.
[00:34:56] Speaker C: So a kid raises his mayor. Mr. Mayor. Mr. Mayor.
[00:35:01] Speaker A: How can I help you? What's your name?
[00:35:03] Speaker C: Can I have more veal?
[00:35:04] Speaker A: That's a long name. I'm just going to call you can.
[00:35:07] Speaker C: Well, that's fine.
[00:35:08] Speaker A: I don't have any more veal for you today.
My best chef is cutting up some more for you. It'll be here tomorrow and the day after that, and the day after that. You're going to have so much veal, it is unveilvable.
[00:35:22] Speaker C: Okay? Is that a word? I'm four.
[00:35:27] Speaker A: Yes. Wow. You're four in the third grade. You must be smart.
[00:35:31] Speaker C: I know things.
[00:35:32] Speaker B: You're regular young Sheldon.
[00:35:34] Speaker C: Yeah.
My name is can. You got that right. But I want more.
[00:35:39] Speaker A: Well, anyway, children, look at that.
[00:35:42] Speaker C: You see, can points at the window, and you see for a brief second, mr. Principal with his hands up against the window pane like a puppy. And you see tears just streaming down his face.
[00:35:54] Speaker A: I'm going to lower the shades.
[00:35:56] Speaker B: Yeah. We should point out also that the window is gorgeous stained glass.
It looks like the Sagrada familia.
[00:36:06] Speaker A: Now, kids, I want to talk to you today about family. Now, you're all good citizens. I assume you just saw the third episode of the third season of Everybody Loves Raymond.
[00:36:17] Speaker C: Yes, I did.
[00:36:19] Speaker A: So now I want to ask you some big kid questions about feelings. Now, do you remember the part where Marie came in and saw that Ray and Deborah had hired a babysitter for the kids and she was acting very weird and awkward about it and then exploded at the end?
Why do you think that kid in the yellow raincoat?
[00:36:46] Speaker B: I thought that like, immediately selling out his wife and immediately prioritizing Marie over his wife over Deborah was kind of fucked up.
[00:37:01] Speaker A: And hey, we don't say kinda in here. It was we stick to our stances. Thank you.
[00:37:07] Speaker B: We see on the wall in beautiful gold script, it says, Thou shalt make definitive.
Did.
That was fucked up. And he did sell Deborah out.
And, I mean, look, it was a net positive for the family for Lisa to be there. So I kind of feel like Marie should have just gotten over it, kind of.
[00:37:35] Speaker A: Why do you think Ray sold Deborah out? Yes.
Little kid with the bladder issue?
[00:37:43] Speaker C: Yeah, that's me. Hi. My name is Petey. I pee a lot. Anyway.
[00:37:51] Speaker B: We all thought it was too on the nose, but we didn't say anything.
[00:37:55] Speaker A: How about Petey the pisser? I think that's a little better.
[00:37:58] Speaker C: You could also just call me Petey. That's fine, too.
[00:38:01] Speaker A: Anyway, what are you going to say?
[00:38:03] Speaker C: I was going to say that I actually don't think that Ray was that much in the wrong there. I mean, yeah, it wasn't great. Could have executed it better, but like, he was putting out a fire before he saw it, before it got a chance to spread. Kind of like how we should have put out Timmy's hair after it lit on fire about five minutes ago, but instead he was still in horrible pain.
[00:38:25] Speaker B: He's going to miss his superintendent. He's going to be fine.
I disagree. If I may, sir, I think that Deborah petey. You can call me Petey, sir. I think that Deborah was making a great justification about why they had babysitter instead of going with Marie. And I think Ray should have just backed up. Deborah was, like, making a real valid point that Marie, if know, wanted to, could see as a positive of like, hey, we don't want to lean on you all the time. That's not fair to you. Whether or not that would work. It's like, that's a valid point. Back up. Your wife, Deborah, the really great line where she was like, you have a life.
And it was obviously funny the way that she was delivering it. But it's also a very good point. Like, let Marie have a life or give Marie the option to have a life whether or not she takes it.
[00:39:29] Speaker A: Now put your hand down for a how.
Okay, I just want to say how important this scene is to kind of reestablish, especially for the third season, about how much of an iron grip Marie has over the family, especially Ray and Robert. I guess just Ray in this particular instance where Ray kind of backs out from doing a net positive that benefits not just him and Deborah, but also Marie because she can't walk the walk, even though that she feels kind of threatened. The truth is she couldn't bank it like Lisa can.
[00:40:06] Speaker B: She literally couldn't walk the walk after she broke her ankle.
[00:40:10] Speaker A: Or I'm funny.
[00:40:12] Speaker B: That's really good.
[00:40:13] Speaker A: Tell your parents to vote for me again when the elections come around in ten years.
[00:40:17] Speaker C: I like you, too.
Listen, you're right. I just also don't think that you can discount the fact that you're right. Ultimately, it is probably a net positive, but at the same time, I don't think we can discount the fact that I think Deborah was probably also sticking it to Maria a little bit. Maria doesn't have much going on that's kind of why the it's your life thing was kind of funny. It's because Marie doesn't have a life. This is the only thing she thinks about day in and day out, so it's kind of understandable why she got hurt anyway. Can I go to the bathroom?
[00:40:51] Speaker A: Yeah, sure.
[00:40:53] Speaker B: What's the point?
[00:40:54] Speaker A: You meant, like, right here? No, go to the bathroom.
[00:40:58] Speaker C: Okay.
[00:41:00] Speaker B: Um I have something to say.
[00:41:04] Speaker A: Yes, little girl?
[00:41:06] Speaker B: My name is Deborah, and I just want to say that I really related to Deborah in this episode.
[00:41:15] Speaker A: And why do you say that?
[00:41:17] Speaker B: Because she reminded me of my mom.
Oh, yeah?
[00:41:22] Speaker A: Is your mom single?
[00:41:24] Speaker B: Sorry. Yeah.
Cut to Alex on a date with Deborah's mom.
[00:41:34] Speaker A: You like seafood?
[00:41:35] Speaker C: I do like seafood.
[00:41:38] Speaker A: Hey, me too. Hey, we cut back.
[00:41:44] Speaker B: But I wanted to talk about Robert coming in and having just a great acting. So much just in his face. This scene of Know, he comes in and tells her that he turned her veal down. And that is just you can really see that's like a convenient thing for Marie to lash out with instead of making an obvious huge deal over Lisa being there. Who are you to turn down my meat?
[00:42:15] Speaker A: We can definitely see her redirect her anger at Robert, who's also threatening a different part of her life, but in a much smaller way. But it was kind of the tipping point, and I think we can learn a lot from that. As to why people may lash out at you, perhaps they just had a really rough day or feeling threatened in other aspects so that when you do something small that affects them negatively, that doesn't seem like a big deal. Maybe the reason they're so upset is because of their own perspective and what they went through that day. That's something to take home with you today. Kids. Think about the effect other people might be going through and how it might affect you. Yes, little kid, what's your name?
[00:42:56] Speaker C: My name is Kyle.
I just want to say that I want to rewind a little bit to the moment that Deborah and Ray realized that they had Lisa for the night and they desperately made a run for the door. That reminded me of my parents. That felt like a very real moment, and I just wanted to call out that comedy for parents that were just basically trying to escape.
Thank you very much for your time.
[00:43:28] Speaker A: I'm so sorry, Kyle.
[00:43:29] Speaker B: I'm sure it was very relatable for parents. Yeah, I wouldn't know. I'm just a kid.
[00:43:36] Speaker A: I wouldn't know either.
[00:43:37] Speaker C: I have children, and it felt very relatable to me.
[00:43:41] Speaker A: Kyle.
[00:43:42] Speaker B: What's that? Kyle. So this is you're doing an undercover boss at the elementary school?
[00:43:51] Speaker C: Not quite undercover. I think I'm pretty much in the you see that? I'm wearing a cowboy hat.
[00:43:56] Speaker A: It's not very children are not the children are not like in the Old West. They're eight.
[00:44:04] Speaker C: Yeah, which is what I'm saying. I'm not really that undercover. This is just I'm not doing a character right now.
[00:44:10] Speaker B: I'm just from Texas, to be honest, undercover Boss, usually the disguises are incredibly shitty and transparent, so it's not like that would raise any red flags for me. I think that's what that showed.
[00:44:25] Speaker A: What are you the boss of?
[00:44:26] Speaker C: I didn't say I was the boss.
Wait, you're not the only thing I said so far. He said, I'm not suing an undercover boss. I'm not even that undercover.
[00:44:40] Speaker A: Are you just going back to elementary school?
[00:44:43] Speaker C: I am trying to get a degree. I dropped out of elementary school, and now I'm going back for my GED so I can get a job to support my three children.
[00:44:52] Speaker B: You're not doing a undercover boss. You're doing a Billy Madison.
[00:44:57] Speaker C: I did not see that movie.
[00:44:59] Speaker A: That's the plot of the movie.
[00:45:01] Speaker B: That's literally the plot of Billy Madison.
[00:45:06] Speaker C: Yeah, I guess so.
[00:45:08] Speaker B: You're not Dr. Kyle Janitor Ed D, the head of the Education Department here.
[00:45:15] Speaker A: No, Dr. You're not going to help one sad kid and then go back to taking all the profits from the school, pretending like you're a good person.
[00:45:26] Speaker C: Why is this so interesting? I just raised my hand.
[00:45:29] Speaker B: Susan let you hold on. Susan, did somebody raise their hand and you just invited them in?
You got to find out why people.
[00:45:39] Speaker A: Are let me check.
Yeah, I had one. Mr.
Kyle, comma cowboy, question mark, age 50 something, asked to come to elementary school, did not clarify. Yeah, I buzed him in.
[00:45:55] Speaker B: Susan, I'm going to have to let you go.
Look, I'll give you a reference. I know. They're hiring at City Hall.
[00:46:03] Speaker A: Great. My sister Susan works there.
[00:46:06] Speaker C: That must have been real confusing for your family. Cut to the park. All right, so listen, guys, 6ft deep. It's got to be 6ft deep.
[00:46:19] Speaker A: Not I've only got 4ft so far.
[00:46:21] Speaker C: But I yeah, that's what I mean. We're talking about the measurement. We're not talking about appendages. No, not high deep. We want to go down, quite literally, the opposite of stack. We're trying to make a hole.
[00:46:36] Speaker B: The opposite of stack would be to put them in a line horizontally.
[00:46:41] Speaker C: No, I disagree. I would say that stack is above the earth. The opposite would be below the earth. We're going into the hole. We're going into the ground.
[00:46:49] Speaker A: There's so much feat here. I'm surprised Dan Schneider hasn't shown up.
[00:46:54] Speaker B: Specific.
[00:46:58] Speaker C: Magazine? What the hell?
[00:47:02] Speaker A: I saw a documentary.
[00:47:05] Speaker B: Okay, get in.
[00:47:07] Speaker C: Get in the hole.
[00:47:08] Speaker B: In. Get in.
[00:47:10] Speaker C: Get all right, let's all hop down into this shallow grave that you all have.
[00:47:15] Speaker B: Doug, get in the feet pit.
[00:47:17] Speaker A: Now we can talk in private.
[00:47:20] Speaker C: So, guys, I just got to ask. It's now been 6 hours since your mom went to the hospital. How long is your mom typically in the hospital for? Is this a common occurrence? I just want to ask because babysitting is hard, and I can't be your babysitter forever. And this is starting to make my life more difficult.
[00:47:42] Speaker A: Well, what do you want to do?
[00:47:44] Speaker B: Yeah, what do you want to do, Mr. P?
[00:47:47] Speaker C: It's a great question. I want to talk about Everybody Loves Raymond. I really just we talked about it a little bit earlier, which was great, but now we went to the park and now I'm sitting in a pit with a bunch of disembodied feet. I don't even know where we got these feet from.
[00:48:02] Speaker B: Dan Schneider.
[00:48:04] Speaker A: His private collection.
[00:48:06] Speaker C: We banned his private.
We banned Don Schneider to Rockville Center. I know you didn't get it directly from him. Also, that is deeply harrowing, and I feel like we should contact the chief of police about that. Harrowing?
[00:48:24] Speaker B: What harrowing?
I think when Deborah came home and saw how much fun the kids were having with Lisa, and then when the kids were like, we want Lisa, we want Lisa, we don't want I look, I never cry.
I'm pretty much sociopath, but my heart broke for Deborah in that scene. Just the way that you can see her face completely fall and it must be so hard, like, you know that the kids don't mean it that way, but it has got to just like I imagine it's like when your teenager tells you that they hate you, it makes you not want to be a parent.
[00:49:18] Speaker A: I'm going to bounce off of that. I've already told our mother that I hate her.
[00:49:23] Speaker B: I mean, yeah, we tell her that all the time, but we are not.
[00:49:27] Speaker C: Do you tell her that in between the stabs?
[00:49:30] Speaker A: No.
[00:49:31] Speaker B: Before.
Well, I tell her before and he tells her after.
[00:49:38] Speaker A: When I first started watching this episode, I thought it a bit predictable. I saw where it was going right from the start, and I was not pleased with the fact that it did not deviate course in a smart way, like this show sometimes does. I will agree that Patricia Heaton's acting was impeccable in this scene, though the actual writing did not leave me interested in the story.
[00:50:04] Speaker C: You know it's true magazine. That's a great insight. I also really have to point out you've really come out of your shell today. When I first met you, you were just grunting and chanting murder, and now you're giving, like, college level speeches and dissections of this episode. I'm really impressed by how far you've come, Michael.
[00:50:24] Speaker A: It would seem you have a way with children.
[00:50:27] Speaker C: I agree. What happened to book, by the way? Are any of these feats books?
[00:50:31] Speaker B: We cut back to the kitchen.
So you're going to be reading for the part of the waiter that comes by the table and gives a weird look at this couple. That is a 55 year old man and a 17 year old girl. So your line is going to be, can I get you the check, Mr. Allen? This is book and he's going to be reading for the part of waiter.
[00:50:56] Speaker A: Hello.
This is what I sound like now.
[00:51:00] Speaker B: Whenever you're ready.
[00:51:02] Speaker A: Can I take your murder sorry. Order.
[00:51:06] Speaker B: He says that and whips out six massive knives and kills Woody Allen but lets the casting director go. She's fine.
[00:51:15] Speaker A: We cut back.
[00:51:19] Speaker B: I don't know where book is, but look, I wanted to talk about how when Ray and Deborah are talking about what's going on with Lisa and how, like, says she wants to let Lisa go and talks about it. The song that Ray sings is Loving You by Minnie Ripperton. Do you want to hear it?
[00:51:50] Speaker C: Did you memorize the song?
[00:51:52] Speaker A: Play the song?
[00:51:53] Speaker B: Yeah. It's a good song.
[00:51:57] Speaker C: La.
[00:52:04] Speaker B: I don't have any information about it, but I just want to just bring it up that it is a real song and that's what it's called and that's what it sounds like.
[00:52:13] Speaker C: I appreciate you bringing that up. Thank you.
I don't know. Do you guys think it was a rash decision for Deborah to fire Lisa so suddenly?
[00:52:25] Speaker A: Yeah, I think it was really not cool.
[00:52:27] Speaker B: It was also like it's against her own like her life is visibly easier now that she has help.
But I also get that feeling of she feels like more disconnected from her kids. I imagine that's like a real thing that happens to especially like kids who are like nannied or something is like there's a distance there so I can see both sides of it. Obviously, it makes some aspects of her life easier and other aspects of it harder.
[00:53:07] Speaker A: I felt bad for Lisa because she was let go after just beginning a new job.
[00:53:11] Speaker C: When you are a babysitter, man, she gets snatched up immediately. She's unemployed for maybe a total of four minutes.
[00:53:22] Speaker A: But as a babysitter you must get attached to the kids you are working with. And to be passed around like that must be difficult on the soul.
[00:53:30] Speaker C: That is true. That is true.
[00:53:32] Speaker B: Do you believe in the soul, Mr. G?
[00:53:39] Speaker C: That's a very deep question. I think I do. I think I do believe in the soul.
[00:53:44] Speaker A: Do you want to see your soul?
[00:53:46] Speaker B: Do you want to see your soul? I believe in it because I've seen it leave a man.
[00:53:53] Speaker C: I'm good with keeping that a secret. But thank you very much for offering. You know what?
We've taken care of you for about 7 hours. I think it's about time to go check up on your mom, don't you? I think it's about that time.
[00:54:06] Speaker B: We cut to the hospital. Knock, knock.
May I come in?
[00:54:12] Speaker A: Who are you?
[00:54:13] Speaker B: I'm your doctor. Good morning.
Nice to see you're finally awake.
Susan, is it?
[00:54:22] Speaker A: No, it's Linda.
[00:54:26] Speaker B: Okay, well, I'm in the wrong susan are my cousins secretaries? Hold on. Let's take it again. Knock, knock.
[00:54:36] Speaker A: Oh, yes, come in.
[00:54:39] Speaker B: Good to see hold on, let me take out he takes out his sides and nice to see you're finally awake, Mr. Allen.
[00:54:48] Speaker C: Can we try again with more feeling and more mention that you're in a relationship with a 17 year old Mr. Doctor? Thank you very much. All right, let's give it another shot. Go.
[00:55:02] Speaker B: Okay.
Knock, knock.
[00:55:06] Speaker A: I'm sorry, am I not in the hospital dying?
[00:55:09] Speaker B: You are, but you're also 17 is the thing that I think he wants me to make clearer.
[00:55:15] Speaker C: Okay. So let me hold on. Okay, guys, it seems like there's confusion here. Hello, Linda. Great to see very, very good to see you here. Dr. Anderson. You suck. All right, so here's the thing. We're doing a new movie. This is a big Woody Allen comeback movie. Everybody here is going to be sympathetic with me once everything's done. Now, here's the thing. You checked into the hospital because you had salsa spilled on you and you were lightly stabbed. Understood? That's great.
In lieu of health insurance, you signed a form that said instead of paying for medical care, I will be a major feature in Woody Allen's comeback film with real life.
[00:56:04] Speaker A: Talk back to me now.
[00:56:06] Speaker C: Yeah. Now we know. We see the signature right here. Okay. We're good. We're good.
[00:56:12] Speaker A: Dr. Anderson.
[00:56:13] Speaker C: You win.
[00:56:13] Speaker A: Low on blood.
[00:56:15] Speaker B: Yeah. I mean, personally, I'm so excited that Limbrook switched from universal healthcare to Sony Pictures Classics healthcare. I mean, it's awesome.
It's been great for the hospital. We get so many French people who come in here because they don't care about what you did.
All right, let's do the scene again. And her character's name is Susan, right. I'm not crazy. Or did that change in this draft?
[00:56:46] Speaker C: I think she got so confused that we just changed it to Linda. So it's just Linda now.
[00:56:50] Speaker B: She's just Linda. Well, okay. I'll do my best. I mean, usually I take some time with these, but okay.
[00:56:57] Speaker A: Now that I know I'm on camera, I'm going to do my best.
[00:56:59] Speaker C: You don't have many loved ones to visit you, right?
[00:57:02] Speaker B: I have three kids.
[00:57:04] Speaker C: Okay, cool. Okay. All right.
[00:57:06] Speaker A: They're the most lovely and beautiful children in the world. We cut for a second to Mike driving these kids, and there's nothing but screaming.
[00:57:14] Speaker C: They're leaning out the window, waving knives, stabbing people in other cars as they go by. They're stabbing people on the way. Someone screams out, somebody call an ambulance. We cut to Reggie. I think I ate the ah.
[00:57:30] Speaker A: Let me try something.
One of the EMTs goes up to Reggie and squeezes his tummy. And then you hear the ambulance go.
[00:57:40] Speaker B: What sound is that? The siren?
[00:57:43] Speaker C: No, it's the key fob.
[00:57:45] Speaker B: It's the key fob.
That tickled, Reggie.
[00:57:48] Speaker C: Okay.
[00:57:50] Speaker A: It's a remote thing so we could start the car. All right.
[00:57:53] Speaker C: This is great. Reggie is the key. I don't know why you guys left.
[00:57:56] Speaker B: Reggie is the key.
[00:57:57] Speaker C: I don't know why you guys left the key inside the jelly. You knew how that was going to end up.
[00:58:03] Speaker B: I left the key on my bread.
And somebody I'm not going to no naming names, put jelly on top of that bread because they can't stop fucking eating jelly and ate an open faced jelly sandwich.
[00:58:18] Speaker C: This seems deeply targeted. Larry. I'm not a fan.
[00:58:22] Speaker B: And Larry's wearing a T shirt that says, I'm 42, I love my niece, and I fucking hate Reggie. No, nothing targeted about this.
[00:58:32] Speaker C: We hear the last speaker. Guys, we got like 82 calls of some people, like, stabbing people while they drive. Can you guys get going?
[00:58:39] Speaker A: Hold on. We're on standby for the mayor.
[00:58:43] Speaker B: So hard being the only ambulance in this town.
[00:58:46] Speaker C: This is a bit of a problem.
[00:58:48] Speaker B: Knock, knock.
[00:58:49] Speaker C: Okay, action.
[00:58:51] Speaker B: Oh, sorry.
Knock, knock.
[00:58:57] Speaker A: Doctor, come on in.
[00:59:00] Speaker B: Glad to see you're finally awake.
[00:59:02] Speaker A: Let me more than awake. I'm 17.
[00:59:08] Speaker B: I just need to check my sides. Hold on.
Good.
[00:59:14] Speaker C: You see, the door gets kicked in. Excuse me. I heard that my wife was in the hospital.
[00:59:21] Speaker B: Cowboy Kyle.
[00:59:23] Speaker C: Linda, it's me, cowboy Kyle. Father of your three children.
[00:59:28] Speaker B: Cut to the Sony Pictures Classics boardroom.
[00:59:31] Speaker A: So this is what is this, a Western love story?
[00:59:35] Speaker B: WCU, the Woody cinematic universe.
And you're pitching us six movies? One about cowboy. Kyle yeah. One about Dr. Anderson and Linda. One about a separate older man who's dating a 17 year old girl.
[00:59:53] Speaker C: Yeah.
[00:59:54] Speaker B: A third one about an older man who's dating a 17 year old girl. And then in the fifth and 6th ones, they all get together to fight Ronan Farrow. I don't know. This seems targeted.
[01:00:10] Speaker C: I don't see what you mean.
[01:00:12] Speaker B: I don't know if we couldn't even put this out in France. Woody. I mean, we honestly shouldn't even be talking to hey, hey.
[01:00:19] Speaker C: If there's one thing I know, the French will eat up anything. They'll watch anything. We cut back, the kids arrive, we get up there, they're like, so, Linda, I'm so sorry, but I can't watch after these kids anymore. This is getting to be too much.
[01:00:36] Speaker A: Oh, that's okay. Now that my husband's done with elementary school, he can take after them.
[01:00:41] Speaker C: Hey, Hannah. How you doing? I'll watch after these kids. They get into any trouble today?
[01:00:46] Speaker B: Father.
[01:00:47] Speaker C: Hey, son. How's it going? Excuse me, sir.
They cut off the feet of many people and put them in a what did you call it? Their bookshelf?
[01:01:00] Speaker B: Stack.
[01:01:01] Speaker C: Thank you. Yes, a stack and yeah, and magazine came out of his shell a little bit. We are proud of him. But they also stabbed a bunch of people on the way here. I think this is is this behavior you want to encourage, sir?
They're just boys having fun.
[01:01:17] Speaker A: They'll grow out of know, probably boys will be boys.
[01:01:20] Speaker C: You guys have fun today?
[01:01:21] Speaker B: Yeah, we had a great time. We stacked.
[01:01:24] Speaker A: Mike is number two on my babysitter list.
[01:01:28] Speaker C: Who's number one?
[01:01:29] Speaker A: Lisa.
[01:01:31] Speaker B: Lisa.
[01:01:31] Speaker C: Oh, yeah, that's fair. That's fair. That was a good episode today.
[01:01:35] Speaker A: Well, look at this. Now the whole Mccuckold family is back together. I'm sorry, the what our last name, dear?
[01:01:43] Speaker C: Oh, yeah, that's right.
[01:01:45] Speaker A: The Mccutkholds.
[01:01:47] Speaker C: That's me. Cowboy Colin Mccutkold. I forgot for a second there.
All right, well, I'll leave the happy family to it. By the way, I don't know where your son bookies I think I heard sirens going in the direction of the house. He may have killed some people. This is fucked. But this is just another day on the job. I'm going back to Town Hall.
[01:02:12] Speaker A: Let's get back to Alex and Adam, who are also approaching Town Hall after a successful day of work.
[01:02:20] Speaker B: Man, it is so much easier to do this walk without all that.
[01:02:26] Speaker A: You know, the walk back from the veal house is always easier than the walk to the veal house, is the old saying that I just came up with now.
[01:02:34] Speaker B: Well, I like that. I think we should change, get rid of school.
[01:02:38] Speaker A: Do you think Mike had a successful day? And do you think he got any good footage for the podcast? More importantly, I hope so.
[01:02:45] Speaker B: I mean, who knows what happened after he left us immediately after the start of the show? We didn't cross paths at all.
Susan, can you buzz us in, please?
[01:02:57] Speaker C: No.
[01:02:59] Speaker B: What?
[01:03:00] Speaker C: I'm going to be honest with you. I don't feel appreciated today. And I heard that you talked to my sister, Susan. I don't just I hate that bitch.
[01:03:11] Speaker A: It's okay, Adam. I have the key.
[01:03:14] Speaker B: All right. Sorry, Susan.
[01:03:15] Speaker C: Well, now I'm useless on this one, too. All right.
[01:03:18] Speaker A: You're here to buz us in, but you don't even have to do know your job's on thin eyes as is.
[01:03:23] Speaker C: And what would you do without me?
[01:03:25] Speaker A: I would just give Mike your job. He loves it. Is Mike back yet?
[01:03:29] Speaker B: No, I haven't seen him. What do you think of the I had them take the chandelier out of the veal house. What do you think?
[01:03:36] Speaker A: Oh, it's modeled after the one in the elementary school.
[01:03:38] Speaker B: No, it is the one. They took it. I mean, the kids had already pulled it out of the ceiling.
[01:03:44] Speaker A: Nice. Actually smaller in here.
Chandelier?
[01:03:49] Speaker C: Yeah.
Probably.
[01:03:53] Speaker B: What you do, go on a tour of the salsa factory?
[01:03:56] Speaker C: Something like that.
[01:03:58] Speaker B: What'd you do? Augustus Gloop at the salsa factory? Yeah, something like that.
[01:04:02] Speaker C: Something like that.
[01:04:04] Speaker B: Cool picante.
[01:04:05] Speaker C: All right, boys, I think that I got a lot of interview footage. I think that the last thing that we got to do is well, let's break down. Are there any last thoughts about the episode?
[01:04:16] Speaker B: A ton. I mean, I was kind of waiting for you. I mean, we covered a little bit with the kids at the school, but I wanted to get your take, specifically, and that's why I didn't bring it up. Alex okay, so when Deborah apologizes, I thought the line that Marie had, just knowing you feel bad is Enough for Me is like a classic encapsulation. I can't remember what we had last time that was like an encapsulation of Ray. This was such a great encapsulation of Marie.
Just that psychology of guilt.
And then when we saw Marie playing Space Station Barone with the kids, she had a funny line where Allie was like, no, you have to shoot. She's like, I don't shoot, honey.
But then she immediately does. She sells out her principles very quickly.
[01:05:11] Speaker C: Gives up so easily.
[01:05:13] Speaker B: And she starts with gun, like not space gun, like actual gun of all right, if we're doing it, I'm going to shoot my granddaughter.
[01:05:23] Speaker C: Yeah.
[01:05:24] Speaker B: And then do we see her fall down or do we just cut to her on the couch? Icing her?
[01:05:32] Speaker C: No, the thing you're referencing with the shooting, that was the hot no, we just see. So no, our experience of Marie babysitting the kids is just Marie saying, I got this. You can say, I'm sorry. It's okay, and you don't need to say that. And then Deborah says it. And then Ray and Deborah leave and when they come back, Marie is icing her ankle.
[01:05:57] Speaker B: Okay. When we see Marie icing her ankle and Ray and Deborah come home after having clearly a good time because Marie was watching the kids when they come in. Is this our first time that we've heard Frank say, jeez Aloo?
I feel like that's one of his catchphraphs.
[01:06:14] Speaker C: I think so. That was a weird one.
[01:06:16] Speaker A: He says it so much. But now that I think about it, I don't think I've actually seen it up until now. So this might be the first appearance of this catchphrase. Wow.
[01:06:27] Speaker B: And I also like, how about that? I liked when Ray offered to help. What can I do? And Frank's response, do you have a lawyer?
I love when Frank just gets, like, very severe all of a sudden.
[01:06:43] Speaker C: I agree. Me too. Me too.
[01:06:45] Speaker B: So Robert comes in with the food from Nemo's and gives Marie the breadsticks. And Marie says, these are kind of old. Frank says, you are what you eat. Marie's comeback know, give your father his order of miserable bastard. I felt like was not as clever as the audience reaction.
The audience went absolutely crazy for that. And I sort of felt like it was fine. I don't know.
[01:07:17] Speaker C: Yes.
[01:07:18] Speaker A: I feel like if the insult was better, it could have been a great one because the twist of the joke is good. Like, the core of it is good, but just like, miserable bastard. Like Ray could have done better than.
[01:07:31] Speaker C: That was I thought that was an okay scene. I did like seeing Ray's reaction to Deborah falling apart at her moral dilemma of like, I'm such a bad mom for needing a kid. He's just gloating. You're evil, too.
[01:07:47] Speaker A: I love also, like and this may not be intentional, I'm going back to the breadsticks. I also like the idea. That Robert was like, oh, I told Nemo that you fell. So he threw in some free breadsticks. It's like, breadsticks are usually free, right?
[01:08:05] Speaker B: Depends on the place, I guess.
[01:08:08] Speaker A: I like to imagine Nemo's has free breadsticks.
[01:08:12] Speaker B: I would not be surprised if Nemo was, you got to pay for cheese, you got to pay for red pepper flakes. Everything. Dollar a breadstick.
[01:08:21] Speaker C: A dollar of breadsticks.
[01:08:23] Speaker B: But, yeah, I really like the scene. Well, I don't know if I liked it. I actually wasn't sure how I felt about Ray gloating about being more connive.
And then he pivoted very nicely. I thought, into talking about how the kids prefer Deborah over him, which was a nice way to comfort her. It felt like a very Ray way to comfort her as well. Of like, I know what'll make you feel better, shitting on myself. And it did. And I liked the line in that where the kids are like, we want Mommy. We want mommy. All things being equal, where's Mommy? I like that line.
[01:09:01] Speaker C: I did two.
[01:09:03] Speaker A: I did three.
[01:09:04] Speaker B: And then, so she feels a little better and then panicking about losing Lisa to the Parkers. This scene at the Parkers was pretty it felt intense, like, menacing.
[01:09:18] Speaker C: I loved how intense it was, man. I just love that this is like a turf warfare over this one. Really good, babysitter, by the way. This gave me somewhere in Queens. Vibes. We haven't talked about too much on the podcast before. Yeah.
[01:09:34] Speaker A: You know?
[01:09:34] Speaker C: Yeah, I thought the same thing, hunting down this teenager to be like, you don't need school. You just need to do this thing for me to make my life easier.
[01:09:46] Speaker A: I thought the exact same thing. I thought this one. Not to go too deep into our talk about Somewhere in Queens, raymond Romano's new phone. New phone.
New phone.
But I feel like this chase was a little more justified in Marie. Not Marie. Deborah fired her. Seemingly out of nowhere. He's just coming back like, hey, come back to work for you know, we kind of screwed up. Like, the whole family thing just wasn't whereas in Somewhere in Queens, it was completely, I think, unjustified, like, not his place at all. Here it made sense. I could see myself doing the same thing, kind of being like, hey, could you come back and work for us again?
[01:10:37] Speaker C: I agree. It's just that he hunted her down while she was working at another place. And then the moment where the kid comes out and he says, hey, beat it. I thought that was also very funny.
But yeah, obviously I love the reference at the very end where he goes, lisa. Lisa.
[01:10:59] Speaker B: I thought that was great.
I wrote down that I wasn't sure if that was a reference to A Streetcar Named Desire.
[01:11:07] Speaker C: It was. Absolutely.
[01:11:08] Speaker B: It was.
[01:11:10] Speaker C: I think that's what they were going for.
[01:11:12] Speaker A: Yeah, it definitely looks intentional.
[01:11:15] Speaker B: You mentioned the kid who came out.
I don't suppose you would want to know who that is with the trivia.
So that character's name, I don't think was said, but is credited as Sally Parker. And Sally Parker is played by Tess Oakland, who did this, and then 20 years later as an adult, was in the movie First Man. Do you remember when that came out in 2018? No, I do not.
I remember when it came out. It's a look at the life of the astronaut Neil Armstrong starring Ryan Gosling.
[01:12:01] Speaker C: Sure, why not?
[01:12:02] Speaker B: So she was in that and then she did two episodes.
No, I don't know. I haven't seen it. But I assume Diner Patron is not huge role and she did something called Retrograde two years ago. But it looks like she's back in the game, so good for her.
And then I want to tell you about the Parkers themselves, if I may.
Mrs. Parker was played by Elizabeth Herring, who appeared in five episodes from 1998 to 2003. So in this episode, her character is credited as Mary Parker, although I'm pretty sure Ray says, hey, Nancy. And she says, Carrie, right? Did you hear that?
[01:12:54] Speaker C: Yes.
[01:12:54] Speaker B: Carrie.
[01:12:54] Speaker C: Or Mary corrected him to Carrie.
[01:12:56] Speaker B: Her name is Carrie, but she's credited as Mary Parker in this episode on IMDb. IMDb calling you out. You're wrong. About who? Elizabeth Herring played in this episode of Everybody Loves Raymond.
[01:13:11] Speaker C: Get your shit together, IMDb.
[01:13:13] Speaker A: How dare you?
The hell?
[01:13:16] Speaker B: And I would like to see if you can guess who played Mr. Parker.
[01:13:22] Speaker C: I didn't recognize him. Should I have recognized him?
[01:13:25] Speaker A: Wasn't that Toby Maguire?
[01:13:27] Speaker B: Yep, that was Peter Parker. Bill Parker was played by and will continue to be played by David Hunt. Does that ring a bell for you?
[01:13:40] Speaker C: No.
[01:13:41] Speaker B: Been on Patricia Heaton's instagram lately.
[01:13:45] Speaker C: Was that her husband?
[01:13:47] Speaker B: That is her real life husband, David Hunt.
[01:13:50] Speaker C: So fun.
[01:13:51] Speaker B: This is going to be his first appearance as Bill Parker and he's going to come back in seasons four and six.
[01:13:58] Speaker C: That's kind of incredible. That's awesome.
[01:14:00] Speaker B: Yeah.
[01:14:02] Speaker A: Were they married at the time?
[01:14:03] Speaker B: I believe so. Hold on. They were married in 1990. So yes, he's been in a lot of stuff.
He's got 50 credits, including the including this Monk numbers.
24 mad Men. He did an episode of Mad Men Blue Bloods and most recently an episode of Homeland in 2020. But I know he's also done some directing and producing as well. And I know they have a production company together, those two. So that's exciting. Real life crossover there.
[01:14:47] Speaker A: Very exciting.
[01:14:48] Speaker B: So the Parkers and then we have.
[01:14:52] Speaker C: Of course, the hot clothes where Marie just hurts herself again and gives up and says the most unmarie thing ever of just the you know what's great? Television.
[01:15:02] Speaker B: Television.
And then after we fade out, you want a cookie or you want cookies? I like that callback because of what it tells us about the parallels between Marie and Deborah of everyone reaches a point, it seems, where they just give up and try to bribe the kids with cookies. Like, nobody's a perfect parent, no matter how judgmental Marie is towards Deborah. Nobody's perfect. Everyone's just trying to do the best they can. And sometimes that means bribing the kids with TV and cookies, so I like that.
[01:15:42] Speaker C: Absolutely. All right, well, I've run out of things to say. Anybody else have anything they want to throw in at the last minute?
[01:15:48] Speaker B: No, I just read all my covered all my bases.
[01:15:51] Speaker C: All right, well, I guess that just leaves one last thing to do, right? Think that that leaves us just with the barometer.
[01:16:01] Speaker B: Oh, yeah, that's right. I forgot that we do that. Knock, knock.
[01:16:06] Speaker C: That's Dr. Anderson, right? Yes, Dr. Anderson. He's working with Woody Allen on his new big comeback movie in the WCU.
[01:16:14] Speaker A: Shouldn't he be, like, saving lives?
[01:16:18] Speaker B: No, I've quit the profession and I'm acting full time. They're doing six movies in the WCU, so there's going to be quite a bit of work for me.
[01:16:29] Speaker C: Well, I'm glad you came in. Adam actually shocked and didn't say anything. He had to run out on a veal related emergency down at the veal factory. I mean, the school.
[01:16:38] Speaker B: So what are you guys doing? What's going on? I just thought I'd swing by.
[01:16:42] Speaker C: Yeah, you saw the national, so I'm glad to be having a relationship here.
[01:16:47] Speaker B: Well, to be honest, I'm not exactly here for you guys. I just wanted to come say hi to know oh, you're dating Susan.
[01:16:59] Speaker A: Well what?
[01:17:01] Speaker B: We kind of have a thing going.
No big deal. But let's just say she's not afraid to buzz me in, if you know what I mean, because she control.
[01:17:18] Speaker C: I follow. I follow.
[01:17:21] Speaker B: Let's just say when I press the doorbell on this building, it plays Hava Nagila.
[01:17:29] Speaker C: Okay, so listen, Doc, we're doing the barometer. I know you watched the episode of Everybody Loves Everybody Loves Raymond that we aired earlier today. So we're just rating Ray on a scale of one to ten based on how he performed throughout this episode. One being awful dads of sitcom history walter White, Don Draper.
I don't know. There are a lot of them. And on the other hand, we have the great know danny Tanner, Carl Winslow, Fred Flintstone, all these guys.
[01:18:03] Speaker B: But I disagree.
[01:18:06] Speaker C: On what?
[01:18:06] Speaker B: I don't think Fred Flintstone's a good dad.
[01:18:09] Speaker C: I'll say Fred Flintstone.
[01:18:13] Speaker B: Well, I think Wilma was locking him out for a reason. Right?
[01:18:19] Speaker A: She could be a bad mom. You don't know.
[01:18:22] Speaker B: Oh, my favorite movie, which is the prequel to Bad Moms, which is the prequel to Bad Mom's Christmas. I love the bad moms averse. I'll just say it.
[01:18:34] Speaker C: It's a very long prequel because it.
[01:18:36] Speaker B: Goes all, you know, the bad moms averse.
The bad moms averse and the Woody cinematic universe were trying to get a crossover going there.
I don't know. I'm not involved in the behind the scenes.
[01:18:51] Speaker A: Yeah. Wasn't that movie called Moms with Wood?
[01:18:54] Speaker B: Moms with wood. Now that's that documentary about that all women lumberjacking team.
[01:19:01] Speaker C: I don't know. I like them all.
[01:19:02] Speaker A: What do you score Ray on this, Mike?
[01:19:06] Speaker C: Yeah. Let's go through. What did we score Ray on a scale of one to ten? Let's start with you, Alex. How about you go first?
[01:19:12] Speaker A: We'll leave our guest. It's not like I suggested you go first anyway.
I was pretty impressed with Ray overall. He had a couple rough moments here. Sold out Deborah. I understand why he has an innate fear of his.
He he kind of is the, like, screw up, but he doesn't actually let Lisa go. He still very clearly intends for her to continue to work. And the way he talks to Deborah at the end kind of like hyping her up as the mom. Nothing replace the mother. Even if someone else comes in, you're still their mother at the end of the day. You're still the one Know cares for Know, and that's all that matters.
I thought he did pretty well this episode. I was happy with him. He played a big role of support. This was really a Deborah and Marie story, I think. But the support that Ray did overall was pretty good. I'm going to give him an eight.
[01:20:17] Speaker C: Wow, that's very generous. I'm going to rate him high, too, but I'm not going to go quite that much. I'm going to give him a seven. I think he supported his family. I think that he did all that stuff. I think he's genuinely concerned about everything, but just not perfect, wasn't blown away by him. And he also celebrated his wife's moral but downfall. So that's another thing. But overall, seven is where I'm sticking him. And Dr. Anderson. What about you?
[01:20:44] Speaker B: Well, look, I think you guys are being a little generous.
Ray, I mean, I just can't get past the fact that he sold out Deborah early on, and then he gloated when she she was literally crying at the kitchen table and he was gloating over her as know, he doesn't give a I mean, I guess the stakes are pretty low, but I don't know.
You know what, I want to give him credit because he does come around eventually. He basically is supportive. And he does drink what I thought might be the first Canada dry of season three of Everybody Loves Raymond.
[01:21:27] Speaker C: Oh, he does. That's right.
[01:21:29] Speaker B: But, I mean, his callous reaction to finding out that the kids knocked over the salsa display and presumably were rolling around in salsa and glass, which I felt like nobody really brought up. If you knock over the salsa display, there's going to be glass everywhere. Right.
His reaction. So we have salsa. I mean, as a medical professional, I just can't give him much higher than let me check the DSM five.
I'm a psychiatrist by trade, so I have no problem working with Woody Allen? Four.
[01:22:10] Speaker C: All right, thank you very much, doc. That gets Raymond to a 6.3 average barometer rating for this episode.
[01:22:18] Speaker A: All right, how about that?
[01:22:20] Speaker B: 6.3? You know, that sounds right to me.
[01:22:24] Speaker C: I'm glad that you think so. We got to have some approval on this show.
All right, I think that'll about do us for this episode. I don't think there's anything else for us to do. Please remember to support us by subscribing to us on whatever podcasting form you're listening to. Leave us a rate and review if you're going to be nice. And also please don't forget to support us by signing up for The Baronus Zonus. And that link is in the description.
[01:22:50] Speaker B: Oh, man, I was listening to the Baronus Zonus while I was doing surgery.
I know I just said I'm a psychiatrist, but I doubt it all, man.
[01:23:00] Speaker A: And I was everything.
[01:23:01] Speaker B: You guys playing Scruples and talking about Ray's new movie somewhere in Queens and reading fan fiction? I was laughing my little ass off.
[01:23:12] Speaker A: It is little.
[01:23:13] Speaker B: Well, I did my reduction myself, and I did lose the patient. But you know what? I went right back to postfund.org Donate and gave some more money in memory of the patient.
[01:23:27] Speaker A: He's just leg and then back like there's nothing in between.
[01:23:31] Speaker B: My ass looks like the cliffs of Dover.
[01:23:34] Speaker C: So with that said, there's only one last thing to do, and it is our classic sign off. So thank you very much for listening. Until next week, everybody loves Raymond and we love.
